I just wanted to try Logic coz I was on mac anyway, but the comping tool blew me away. I still produce in FL, but I record in Logic just for that feature.     See Less

Logic Pro was good enough for Teddy Riley when he produced Michael Jackson’s Dangerous album! I’ve used Logic when it used to run on the Windows PC and it was solid running back then, Lo     See More um 5. Back then there were the silver and gold versions too! There was also version 4 that was bundled with the audiowerk interface. Logic was around as a Mac and a PC application for a long time before Apple bought it from Emagic with introduction of Logic 6 and Logic Pro 7 introduced Apple Loops and a ton of musical content. I stopped at version 8. I still think Logic is one of the most solid running music programs but I wouldn’t go beyond version X because they’ve got this subscription sales model that keeps you paying, no thank you!    See Less

Logic as the main daw using maschine as VST for the drums and Serato sampler to chop and isolate stems. Logic 🎉     See Less

Logic is THE shit. it's not my first rodeo with it, but I've never had Pro 11 and I've only had used Macs up until this year that just happened to have what was (probably) a crac     See More n there. This time I've got a proper copy and it's been well worth it immediately. I'm getting stupid-good quality out of it coming from GB; I guess it's just the sample rate and everything upscaling to its full resolution--like a case of jumping from HD to 4K. I had no idea my tracks were sounding that clear until I heard them scaled up in Logic. Also, it seems like Logic killed any latency I was experiencing with my guitar going in.

But the feature that's blowing my mind right now is the chord track mixed with the "session players". I manually input the chords from my guitar--I'm using some pretty "expensive" harmony too--and the session player follows it. What's crazy is how deep Session Player can edit. It's not like GarageBand's version of it--you can really get these things to play with articulation. In my case, it won't completely replace a good bassist or something, but it will give you a better-than-good-enough track to make a foundation to build on. If you're making music that's harmonically very basic, it'll probably give you THE track or very close to it. Also, the AI Mastering Assistant is so damn good! I was just about to buy Ozone too...this just saved me 600 bucks. Anybody that owns a Mac and skips out on Logic...dumb move!    See Less

Logic kind of serves you up everything you need on a silver platter. Want a synth but don't have Omnisphere? Logic has hundreds. Want an Orchestra but don't have Kontact? Logic has t     See More a loop but haven't downloaded any? Logic has em. Want a guitar amp sim? Logic has em. It has several built in drum machines, synth creators, drum synths, samplers, sequencer etc- I mean I don't understand much about that stuff but it has em. It runs pretty seamlessly with Mac like you said, the layout is super user friendly and quick to work with, etc etc.    See Less

Stop it!!! Logic is not faster than FL     See Less

I gave up on Reason a long time ago because version 10 wasn't supported on M series Macs and had to pay 100+ euros to upgrade. Only 3 things I miss, NNXT sampler, splitting audio to infi     See More ut duplicating the track, and the vst instruments browser. One big problem with Reason was that when it crashed it could corrupt the project file and making it unusable. I've had crashes with Logic too but everything was still there    See Less

Alchemy. Yeah. That.     See Less

Converted to solely the mpc live the past 5 years. Been having the strong urge to return to Logic Pro lately. I’m a FL baby at heart but my most expressive production all time was in logic     See More issue was not liking the options they had for chopping samples    See Less

Hi, we watch your videos a lot here in Miami and we've noticed there aren't many videos on exactly how to use the MPC 37 with Logic Pro. It would be great for everyone if you made a     See More     See Less